Features
- 26×26 Thunderbolt 3 ultra-low-latency (as low as <1 ms roundtrip)
- 24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
- Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
- 2 mic/instrument inputs with preamp direct outputs with returns and 6 balanced mic/line inputs, all with PreSonus’s famed XMAX preamps
- 2 balanced stereo main outputs with independent level control; 8 DC-coupled, balanced line outputs; and dual headphone outputs with independent level control
- ADAT Optical/Dual SMUX inputs/outputs: 16×16 channels at 44.1 or 48 kHz; 8×8 channels at 88.2 or 96 kHz
- Stereo S/PDIF coaxial input and output
- MIDI I/O and BNC word clock I/O with low-jitter clocking
- PreSonus® Studio One™ Artist and Studio Magic Software Suite included
- 1U rack-mountable, with all-metal chassis and metal knobs
World-Class Recording Software Included.
The Quantum 2626 comes with PreSonus® Studio One™ Artist and the Studio Magic Software Suite for a complete recording solution. Studio One offers unlimited tracks and plug-ins and is easy to learn and use. Studio Magic includes over $1,000 USD of plug-ins, loops, virtual instruments, effects and tutorials.
About XMAX Preamps.
PreSonus®’ famed XMAX Class A preamps have no crossover distortion and deliver pure, clear, musical results. They run on high-voltage power rails to deliver more headroom, deeper lows, smoother highs and a richer overall sound. We only use discrete components for accuracy and transparency — not op-amps that can add noise, coloration and harshness.
All The Connectivity You Need.
The Quantum 2626 provides two combo mic/instrument inputs (with direct outs and returns for patching outboard gear) and six balanced mic/line inputs. Another 18 inputs and outputs are available via ADAT/dual SMUX and S/PDIF. Eight ¼-inch TRS outputs are DC-coupled for sending control voltages, plus two Main outs, two headphone outs, and MIDI I/O.
Electronics
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Voltage : 120V
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Jack : 1/4” TRS Female, Stereo, Unbalanced
Miscellaneous
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Connection Type : 12 VDC, External Power Supply
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MIDI I/O : Dual 5-Pin Female DIN
Microphone Preamp
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Total Harmonic Distortion : < 0.005% (1 kHz, Minimum Gain)
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Gain Control Range : 60 dB
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Maximum Input Level : +10 dBu (Balanced, Minimum Gain)
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Phantom Power : +48V, > 8 mA per input
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Frequency Response : 20 Hz to 20 kHz (±0.15 dB, Unity Gain, 48 kHz)
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Input Impedance : 1.6 kΩ
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Dynamic Range : > 110 dB (A-Weighted, Minimum Gain)
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Equivalent Input Noise : < -131 dBu (Maximum Gain, 40Ω, 22 kHz BW, A-Weighted)
Line Inputs
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Maximum Level : + 18 dBu (Balanced, Minimum Gain)
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Line Inputs Frequency Response : 20 Hz to 20 kHz (±0.05 dB, Unity Gain, 48 kHz)
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Line Inputs Dynamic Range : > 118 dB (A-Weighted, Minimum Gain)
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Line Inputs Total Harmonic Distortion : < 0.005% (1 kHz, Minimum Gain)
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Line Inputs Impedance : 10 kΩ
Main And Line Outputs
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Main And Line Outputs Maximum Level : +18 dBu (Balanced)
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Main And Line Outputs Frequency Response : 20 Hz to 20 kHz (±0.05 dB, Unity Gain, 48 kHz)
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Main And Line Outputs Total Harmonic Distortion : < 0.0035% (1 kHz, +4 dBu)
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Main And Line Outputs Dynamic Range : > 118 dB (A-Weighted)
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Main And Line Outputs Output Impedance : 51Ω
Headphone Outputs
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Maximum Output : 175 mW/Channel (56Ω Load)
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Frequency Response : 20 Hz to 20 kHz, +/-0.5 dB
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Dynamic Range : > 110 dB (A-Weighted)
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Total Harmonic Distortion : < 0.03% (1 kHz)
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Impedance Working Range : 16Ω to 300Ω
Digital Audio
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Dynamic Range : 115 dB (A-Weighted)
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Bit Depth : 24 Bits
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Supported Sample Rates : 44.1, 48, 88.2, 96, 176.4, 192 (kHz)
